![]() The album artwork and stage scenography followed the concept developed by Hetfield and Ulrich, and it also represents how the band felt about social and political injustices. Hetfield, the band’s main lyricist, stepped out of his usual subjects and wrote about topics that he had never dealt with before.ĭigging deeper into the lyrics of each track, the band covered numerous issues such as environmental issues (“Blackened”), discrimination (“The Shortest Straw”), freedom of speech (“Eye of the Beholder”), war (“One”) and Hetfield’s personal rant against his parents (“Dyers Eve”). It was the first time Metallica addressed political and environmental issues in their lyrics. The album’s name and song lyrics aim to address political and legal injustice, war, censored speech, and environmental issues. However, Metallica used the phrase somewhat sarcastically, expressing their dissatisfaction with the justice system in the USA. The original phrase is a part of the pledge of allegiance, which is an expression of loyalty to the flag of the United States. The meaning behind the phrase “And justice for all” that was used both for the album and song name is pretty straightforward. What is the meaning behind “…And Justice For All” by Metallica? These words were engraved on Cliff Burton’s memorial stone, which was unveiled on October 3, 2006, in Sweden near the scene of the fatal crash. ![]() Burton recorded the fragments of the bass lines for this song on the tape, and Newsted played them on the final version of the album.Īlso, although the song is instrumental, it features some spoken words, of which Burton wrote the last two lines: “All this I cannot bear to witness any longer/Cannot the kingdom of salvation take me home?” ![]() ![]() Burton was violently flung through the bus window, which then landed on top of him, instantly killing him.Īlthough Burton didn’t participate in the recording of the “…And Justice for All”, he was post-humous credited on the album, particularly for the song “To Live Is to Die.”įirst of all, the song “To Live Is To Die” was named by Burton’s favorite phrase, and it represents the Metallica’s tribute to their dead member. tour in support of the “Master of Puppets” album when the band’s bus skidded off the road and flipped onto the grass. He was in the band since the first album, “Kill ‘Em All,” in 1983 and played on the next two releases, “Ride The Lightning” and “Master of Puppets.”īurton died during Damage Inc. “…And Justice For All” was Metallica’s huge comeback after the death of the bassist Cliff Burton, who died in a bus accident in 1986. What did Cliff Burton write on “…And Justice For All”? However, in the end, even he agreed that it’s how it’s supposed to be and that the album made a mark on the world. Newsted was unfamiliar with Metallica’s recording method, and he expressed concerns about his influence on the overall sound and the lack of communication with the rest of the team. Newsted recorded the bass lines separate from the rest of the band and was, of course, unsatisfied with the final mix and nearly inaudible bass. There were speculations that the new bassist Jason Newsted was intentionally hazed from the album because the band still griefed recently deceased bassist Cliff Burton. However, the album was there, and it gained success nevertheless. Thompson later said he regrets having to follow Ulrich’s orders, who, paradoxically, asked him afterward what happened to the bass. And the result is – almost no sound of the bass guitar in the final version of the album. Thompson was not happy about the direction Lars was pulling him in, but he finished the mix by his instructions. However, Ulrich requested that the low frequencies should go way down, so they’re barely audible. Thompson and the producer of the album Flemming Rasmussen both agreed that the Newsted’s bass lines were killer. Thompson said he was perfectly happy with the first mix and that Hetfield’s guitar was nicely matched with the bass guitar played by Jason Newsted. The sound engineer Steve Thompson was unsatisfied with the mix, mainly because of the changes that Lars Ulrich requested. He said that it was the way to get other parts of the sound (his and James’s) to coexist without anybody having to take a back step. Ulrich said the mixing of the album was all about balances and the result of instinctive choices.
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